The series

The road inward, book by book.

A story you can live in. A language you can keep.

A picture book, a novel, and books that teach you Sanskrit as you read. The story opens in the dark of a cave and deepens through a whole life; then the language arrives and climbs beside it, with four workbooks to carry it into your own hand — sound, then sentence, then story, then the tradition itself.

Beginning · Becoming · Receiving · Carrying · Finding · Awakening

Each book complete on its own. You may enter at any one of them.

Sarpa and Siṃhī: The Beginning — cover

Sarpa and Siṃhī: The Beginning

१A young lioness loses her mother. A storm drives her far from her pride, into a cave in the dark — and there, a wise snake begins to tell her a story. One is about a boy who found a fire. One is about a seed that found the sun. By morning she has followed her father's roar home.

Written for children, and for the people who read to them. Illustrated on every spread, and meant to be read aloud.

Siṃhī: The Becoming — cover

Siṃhī: The Becoming

२Thirteen nested tellings, from the churning of the ocean to the Bhagavad Gītā. A tortoise older than the valley. A mouse who stops her mid-hunt with a single name. A bird with a broken wing and an unbroken vow. Fire, and the goddess who walks out of it.

A novel about what a parent gives a child before leaving, and what a story can hold that a single life cannot.

Gāyatrī’s Song: The Receiving — cover

Gāyatrī’s Song: The Receiving

३Three nights beneath an ancient tree. A father gives his daughter the forty-six sounds her mother sang in — each one placed in the mouth, felt in the body, carried in a story before it is ever named.

Here the language begins: the whole alphabet, and by the third night her first whole sentence in the oldest living language.

Siṃhī’s Dreams: The Carrying — cover

Siṃhī’s Dreams: The Carrying

४Twelve nights. Twelve dreams. And far beneath the dreaming, at a fire under the roots of the world, two old friends begin to set down the story of her mother's whole life. Night by night, the two stories climb toward each other.

The first Sanskrit sentences arrive inside the dreams — a few each night, every word given before it is needed.

Pakṣikā’s Fall: The Finding — cover

Pakṣikā’s Fall: The Finding

५A small bird falls to the bottom of the world. Her wing is broken. The dark is complete. And in the dark there is a fire that should not burn — and a keeper who has been waiting, longer than she could guess, for someone to fall.

The first whole stories in Sanskrit prose. The sentences are no harder than the ones before; what has changed is the reader.

Vajra’s Fire: The Awakening — cover

Vajra’s Fire: The Awakening

६One night. One telling. Beneath the ancient tree, a father tells his daughter the story of who he was before she knew him. Before he was Vajra he was no one — a young lion in the red grass, in a world that had not yet burned.

The first hymn of the Ṛgveda, given a verse at a time, at the fires where each verse was earned. Where the road arrives at the floor it was standing on.

Beside the road

The workbooks

Four companions that give the language to your hand. Every letter, word and sentence in them comes from the books, in the order the cub received them: met, traced, read aloud, written, and built into speech. Every one of them is read aloud at The Sounds.

Alphabet · Sounds and Shape · Words at Work · Sentences
Siṃhī Workbook One: The Sanskrit Alphabet — cover

Siṃhī Workbook One: The Sanskrit Alphabet

Workbook OneThe Sanskrit Alphabet · The Song
The forty-six sounds, one to a page, in the order Vajra gave them to the cub: where each lives in the mouth, what it sounds like in English, the pen’s path one stroke at a time, and the sound read aloud. Every few pages the book turns back and asks for them again.

Walks beside Gāyatrī’s Song. Pronunciation is built in: a mouth map for every family, and a code on every page that plays the sound.

Siṃhī Workbook Two: Sanskrit Sounds and Shape — cover

Siṃhī Workbook Two: Sanskrit Sounds and Shape

Workbook TwoSanskrit Sounds and Shape · Sounds and Shape
What a vowel does when it lives inside a word: the ten signs, the dot that quiets an m, the two dots that let a word breathe out, the joined letters, each met in a word you already know. It ends with six words drawn in the earth by a father’s paw.

Walks beside Gāyatrī’s Song. Every word is from the stories; nothing is a list.

Siṃhī Workbook Three: Sanskrit Words at Work — cover

Siṃhī Workbook Three: Sanskrit Words at Work

Workbook ThreeSanskrit Words at Work · The Garments and the First vākya
The same forest as vanam, vane, vanāt: a word wears a different ending for different work. Eight garments, met where the cub met them on her morning walk, and then the one whole sentence the Song was saving, one word to a page, then in your own hand.

Walks beside Gāyatrī’s Song. Here the sentence ladder begins: the sentence taken apart and put back together, rung by rung.

Siṃhī Workbook Four: Sanskrit Sentences — cover

Siṃhī Workbook Four: Sanskrit Sentences

Workbook FourSanskrit Sentences · The Twelve Nights
Twelve nights, one at a time. Read the lines she woke with, write them, build new ones from the books’ own words, say them back from the English without looking. After every three nights, a return; after the twelfth, the ladder climbs.

Walks beside Siṃhī’s Dreams. By the last page you can read the first sentences of a novel in Sanskrit, and say them back.

It begins as a bedtime story. It arrives at the first hymn of the Ṛgveda — and does not stop there.
You do not end this road. You become it.
Begin where you are.